Starting from the particularities of their personal languages, included in flamenco and in contemporary dance, Vanesa Aibar and Sara Cano follow a path of choreographic search and investigation. The starting point is the work entitled La Nit sexual by Pascal Quignard, according to which there are three kinds of night: the uterine (before birth), the terrestrial (at the end of the day) and the eternal (after death).
DIRECTION, CHOREOGRAPHY AND PERFORMERS Sara Cano and Vanesa Aibar
ARTISTIC SUPPORT Juan Carlos Lérida
DRAMA Francisco Sarabia Marchirán
MUSICAL COMPOSITION María Marín, Frank Moon
ADAPTATION LETTERS, GUITAR AND VOICE María Marín
SOUND SPACE José Torres
STAGE AND LIGHTING Cube.bz